Reboot Fatigue be Damned! Roadhouse (2024) is a Raucous Good Time.

Film & TV

Road House (2024)

I was hesitant going in.

Hell, I think we all were.

But thankfully, the pairing of Jake Gyllenhaal and Connor McGregor managed to work, and gave us a smashing update to the 80s classic that we all know and love, ‘Road House’ (1989).

Yet, there will be detractors –- those who prefer Swayze’s take on the beat-em-up action flick — which enthralled audiences with its unabashed update of a revisionist western. Interestingly, the original ‘Road House’ was a retelling of ‘Shane’, a 1957 western – that starred a laconic hero who rolled into town and went head-to-head with the local riff-raff.

Want a Great Date Night Movie? ‘Along Came Polly’, Starring Ben Stiller & Jennifer Aniston

Film & TV

Take 1 part milk-toast neurotic (Ben Stiller’s signature character trait)

and mix well with 1 manic-pixie dream girl played by Jennifer Aniston.

The result?

In the end, you get a movie that managed to achieve a level of popularity rarely seen in offbeat romantic comedies. In the early “aughts” (2001-2009) this formula was still fairly fresh, and the way in which John Hamburg directs ‘Along Came Polly’ highlights the importance of character driven comedy over laugh-a-minute antics.

‘Pinewood Studios’, Canada’s (Mostly) Unknown Motion Picture “Mill”

Film & TV

There is a studio that isn’t really that known to the public, and it’s responsible for housing the productions of some major motion pictures. It isn’t a production company in itself, no, rather it is just a space for established film studios to rent out – enabling them to utilize Toronto’s largest modernized  film production facility.

 I know. It’s a tad confusing, isn’t it?

Well, to simplify things – here’s a quote from Wikipedia: “A film studio (also known as movie studio or simply studio) is a major entertainment company that makes films. They may have their own privately owned studio facility or facilities; however, most firms in the entertainment industry have never owned their own studios, but have rented space from other companies. The day-to-day filming operations are generally handled by their production company subsidiary.” [1]

25 Surprising Facts about Sydney Sweeney — America’s Newest Sweetheart and Co-star of the Much Maligned ‘Madame Web’.

Film & TV
  1. Sydney Sweeney was born on September 12, 1997 in Spokane, Washington.

  2. She began her acting career at a young age, appearing in commercials and short films.

  3. Sweeney made her television debut in 2009 on the series “Heroes”.

  4. She gained recognition for her role as Emaline Addario in the Netflix series “Everything Sucks!” in 2018.

  5. Sweeney has also appeared in popular TV shows such as “The Handmaid’s Tale,” “Sharp Objects,” and “Euphoria.”

  6. In 2019, she starred in the horror film “Countdown.”

  7. Sydney Sweeney has a strong presence on social media, with over 2 million followers on Instagram.

Spend Some Time in Lynx River — A ‘North of 60’ Review

Film & TV

‘North of 60’

is a desideratum, when it comes to fictional depictions of what life is like for white and indigenous people residing in the truly remote regions of Canada.

The television series debuted in 1992, created by Barbara Samuels and Wayne Grisby for the CBC; (Canadian Broadcasting Network) it was later syndicated worldwide. The show is based on the fictional town of “Lynx River” – located in the Delcho Region of the Northwest Territories. ‘North of 60’ tackles serious subject matter, as well as the ins-and-outs of everyday life in Lynx River.

A Brief Word on Dune 1984 — An Adaptation Gone Awry.

Film & TV

Well, this isn’t the Denis Villenieuve one.

No, long before the French-Canadian visionary decided to grace us with his reimagining of the renowned sci-fi classic, David Lynch attempted the challenging feat of adapting Frank Herbert’s ‘Dune’.

And when I say attempted, what I really mean is — failed miserably.

David Lynch’s version had some constraints due to the tech of the time – however, plenty of other motion pictures of the 80s that featured futuristic settings, managed to succeed where ‘Dune’ failed, suggesting that this film has more systemic flaws than just special FX or believability of setting.